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26 Jul I ordered Jerry Bergonzi’s Hexatonics book, the seventh volume in his Inside Improvisation series. I had looked through some of his previous. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles. 19 Jan Practicing hexatonics is great way to improve technique and it’s also great for ear training. Hearing these different combinations of triads.

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I have already been able to start applying some of the principles I’ve learned in just the first four chapters. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures “. Newer Post Older Post Home.

D 7 sus C7 sus G7 sus: Try anticipating the dominant chord by playing the hexatonic on the preceding minor 7 chord. I 5 9 5 9 Bergpnzi progressions 1 and 2 with this hexatonic, too. What follows is a list of bergonnzi melodies derived from this hexatonic scale.

I Eb Real Book 5th edition Vol. Try integrating this approach with other melodic material. On a minor 7th chord, the upper triad sounds the 9,: Jazz Saxophone solo transcriptions.

Shit, I sound like I’m trying for a job as his publicist, but is this your basic point, reworded with my usual verbosity? When the B triad is voiced over the C triad, major 7th intervals are sounded. Try it, you might like it! Practicing hexatonics is great way to improve technique and it’s also great for ear training.

When the e triad is voiced on top it creates minor ninth intervals which are dissonant. DIC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.


These are the work books from Jazz Harmon Campbell’s approach in my Triad Pairs post. Jerry Bergonzi – Inside Improvisation Vol. For example, over bergohzi A-7 chord, try any of these hexatonics: The triads offer a skeleton structure to base lines on.

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Played over it sounds beggonzi A hexatonic scale is simply a scale of six notes, though these six notes are usually derived from two different mutually exclusive triads. The motion defines the context. Gary book has more interesting permutations of pairs and Jerry’s book has more interesting applications. If you invert these triads and voice the C triad on top of the B triad, minor 9th intervals are sounded. I’ve heard some rave reviews on Walt Weiskopf s book how do you spell that name?

After playing through a bunch of different keys and permutations of each pair you are able to apply each over a few different tunes.

Jerry Bergonzi Vol 7 – Hexatonics.pdf

For example, over the C-7 chord, try any these hexatonics: Is Berklee College of music out of your price range? Adam Roberts for help on the book. Programma del triennio di di By limiting note selection to six tones each triad consisting of hexatonjcsa more concise sonority is created. In other words, why start with Major a whole step up followed by berglnzi a whole step above a Major triad? The book starts out with a chapter dealing with a Major triad over a Major triad a whole step apart. There is a full page of lines for each triad pair and a page for every key.

F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Try integrating this approach with other melodic materiaL:: You guys requested these, so here they are: Do you want to see what you’re missing?


Inside Improvisation Volume 7 – Hexatonics

Chord G bertonzi sus G t. As with the other books in this series, there is a play along CD to tryout all of these diflerent sounds. Choosing just a few of these melodies and playing them in all keys is more beneficial than trying play too many and not really getting them down. Sure, only a few hexaronics ones, but they’re coming out.

J Due to the nature of this book and to economize space, the word triad will be omitted after the pitch name.

B-jC- Try playing 8 notes of any gergonzi melody using the notes of the grid as starting notes. Jerry Bergonzi Vol 7 – Hexatonics Documents. When the box with the book finally came I thought that the distributor got my order wrong because it came in a big and very heavy box. George Russell’s ‘Lydian Chromatic Concept’.

See also Chapter 8. Is there some sort of system or are they just presented randomly? In some instances you might want the more dissonant sound of minor 9ths. The “stand alone” sound is oftentimes enough to make a strong, hexatobics melodic statement regardless of how it is or isn’t relating to the harmony over which it is being used.

D jC- Try playing 8 notes of any hexatonic melody using the notes of the grid jerrh starting notes.